Richard Wright’s second novel, The Outsider (1953) was conceived as an exploration of modernity and the human condition, specifically apart from the concerns of race. Wright described it as “the first literary effort of mine projected out of a heart preoccupied with no ideological burden save that of rendering an account of reality as it strikes my sensibilities and imagination.” He further explained that in his attempt to “render my sense of our contemporary living as I see it and feel it … My hero could have been of any race.” This approach led many contemporaneous critics to reject the book. Even more contemporary critics like John M. Reilly have cited Wright’s “extreme existentialism” as evidence of his frustration “with politics consequent to his observation of the opening events of the Cold War in Europe.” These unsettled responses suggest the importance of reconciling Wright’s commitment to racial justice with his philosophical concerns. Existentialism need not exist independent of race for as The Outsider suggests, blackness highlights unique conditions of Sartrean freedom and Kierkegaardian dread. Despite its mixed reception, The Outsider represents an important effort to unite existentialism with the experience of blackness.