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Chapter 3 describes Grouchy’s thought during the first four years of the French Revolution. It explores both the philosophical foundations for and the results of the strong political and intellectual partnership that developed with her husband, Condorcet, from around 1790. Grouchy took advantage of the symbolic political power with which marriage was imbued in revolutionary discourse to use her own union as a microcosm of the polity she and Condorcet were advocating. They demonstrated that sentiment not only allowed individuals to reason rights, but created bonds that enabled independent people to work together for the advancement of political goals beyond their basis self-interest. This created the basis from which citizens could contribute to the creation of a just constitution. The state, in turn, had a central role in fostering the emotional faculties of the citizenry. Women, moreover, had an identical capacity for moral and political judgement as men. They made this argument both in the public display of their collaboration, and in texts that they co-authored together. This Chapter makes the case for Grouchy’s co-authorship of Condorcet’s influential 1791 Cinq mémoires de l’instruction publique and argues for her centrality to Condorcet’s revolutionary thinking and career.
As well as providing a brief biography of Sophie de Grouchy, the introduction sets out the aims of the book. It describes how A Republic of Sympathy is the tale of how thought could be produced by an eighteenth-century woman in a time of Revolution: with all the possibilities, limitations, and opportunities that this period offered. It outlines how over this period, Grouchy developed her own, unique form of republicanism, by appealing to sympathy as the glue between the individual and the republic. It emphasises that Grouchy’s thought consisted of a series of shifting, adapting ideas, which nevertheless consistently relied on this sentiment. It describes how Grouchy not only experiment with variations of her theory over this period, but with different mediums of expressing her ideas: including pedagogical treatise, journal articles, translated texts, commentaries, collaborative projects, or embodied in her lived relationships. It also highlights Grouchy’s key interlocutors: from Adam Smith, to Jean-Jacques Rousseau, from her husband, the marquis de Condorcet to Benjamin Constant, from Thomas Paine to Jacques Pierre Brissot.
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