We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter examines one of the endeavours Latin American music has predominantly engaged in, namely decoloniality, and uses this as a bedrock to examine what we consider to be a pertinent question: What has Latin American metal ever done for the international metal scene? We believe that the answer to this question lies at the juncture of and brings forth a call for ethics in metal music. We propose that decolonial metal music in Latin America incarnates three principles linked to what we term an ethics of affront: (1) acknowledging the humanity of those oppressed by coloniality, (2) acknowledging the reality of the sociopolitical context and (3) fostering activist action as a task for metal music.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.