In a society in which display of the body and dancing in public is controversial, the growth of contemporary dance festivals and training workshops demonstrates the changing face of Morocco's moral and political economies. This article explores the training of young dancers who are striving to embody a new Muslim corporeality and at the same time achieve professional artistic recognition in Moroccan society. Using ethnographic methods, the article focuses on the attraction of novices to contemporary dance activities, as seen through the “cultivation of the soul” in improvisational and choreographic practices related to local spiritual traditions, providing them with a niche in the global arts market and an “authentic” identity as Moroccans.
