Neither southern Africa’s archaeology nor its history or contemporary social and political structure can be understood without reference to its experience of colonialism and conquest or of the resistance to this. This chapter therefore looks at the archaeology of Portuguese exploration and subsequent settlement in Mozambique, as well as at the much more expansive colonisation of southern Africa set in motion by the establishment of a Dutch East India Company (VOC) base at Cape Town in 1652. It traces the spread of European settlement into the region’s interior, the emergence of new creolised populations on and beyond the frontiers of that settlement, the institutionalisation of the social, economic, and political structures that led to apartheid, and – crucially – the resistance of Indigenous societies to this. Chapter 13 also discusses the Mfecane and the emergence of the Zulu, Basotho, Ndebele, and Swazi states, among others, to emphasise their contemporaneity and potential connections with European settler expansion and to encourage comparative study of processes of state formation, migration, and population incorporation common to both.

This chapter investigates the evolution of rap music in Guadeloupe at the end of the 1990s. Based on ethnographic data and grounded in both postcolonial and decolonial theories, the chapter explores the relationship between Guadeloupe and American hip-hop, as well as the role local French Caribbean cultural politics served in enabling new constructions of belonging to take root in Guadeloupe hip-hop.

This chapter introduces kokomakaku, a stickfight ritual from the Dutch island of Curaçao. Documenting its evolution and development, the chapter shows how music can be used to reconstruct a possible historical, social and cultural timeline of an island. Kokomakaku embodies the cultural encounters and conflicts that mark Curaçao’s past and present, its development, likewise, representing localised struggles for status and self-definition.