Chapter 14, Aqnxiety within Germany at climax (July 11 - July 23). In this chapter tension reaches its climax as the Darmstädter und Nationalbank (Danatbank) fails on July 13. Without help from outside of Germany, the German government declares a bank holiday and introduces exchange controls, effectively ending the gold standard in Germany. The New York Fed and Harrison declines to intervene and the BIS does not have the resources or the inclination to intervene. Norman’s position that the situation goes back to the Versaille Peace agreement and is now a matter for governments strengthens. A conference in London is unable to come up with new solutions and meanwhile sterling comes under pressure. The fear of contagion beginning in early May is now a reality.

While the history of jazz and the biographies of the music’s practitioners have long enjoyed the attention of critics and audiences, the jazz musicians’ life stories, told in writing and from their personal perspectives, remain an understudied area of jazz scholarship and autobiography studies. This chapter surveys the genre of jazz autobiography by identifying its major styles, forms, and narrative patterns and tracing its century-long history from the 1920s to the 2020s. Assessing works by famous musician-writers such as Louis Armstrong, Miles Davis, Dizzy Gillespie, Benny Goodman, Billie Holiday, Charles Mingus, Anita O’Day, and Artie Shaw, the chapter outlines the diversity of jazz autobiography, focusing on questions of narrative perspective, written and oral style, musical influences, as well as raced, classed, and gendered experiences. The chapter suggests that this diversity is nonetheless encapsulated by a common genre poetics of the jazz life as told from the musician’s vantage point.