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Schumann’s essay on Symphonie fantastique was an extended critique. Much of it he admired and defended from an earlier critic, but he took exception to other aspects, including the programme and the music of the final movement. He discusses the form of the first movement Allegro, viewing it as a valid alternative structure related, but not identical, to ‘the traditional model’. The debate about the validity or otherwise of Berlioz’s procedures (which were not born of ignorance or ineptitude, as some have supposed) may never reach a conclusion agreed upon by every critic and theorist, despite the music’s positive reception by audiences; the conclusion must be that whatever its eccentricities compared to academically approved models, it ‘works’ in performance.

This comparative empirical study of policing in the United States and France draws on the authors' ten years of field work to contend that the police in both countries should be thought about as an amalgam of five distinct professional cultures or 'intelligence regimes'-each of which can be found in any given police department in both the United States and France. In particular, we contend that what police do as knowledge workers and how they make sense of the social problems such as collective offending by juveniles varies with the professional subcommunities or 'intelligence regimes' in which their particular knowledge work is embedded. The same problem can be looked at in fundamentally different ways even within a single police department, depending on the intelligence regime through which the problem is refracted.

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10 - Reception

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Making Sense of Youth Crime

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2 results

10 - Reception

Summary

Making Sense of Youth Crime