Tolstoy’s biography embodied the fundamental Romantic mythology of the modern age, which synthesizes the biblical myths of the Lost Paradise and the Prodigal Son with the classical myth of the Golden Age. His was full of abrupt ruptures perceived both as an exile and as an escape. He longed to leave behind the confines of his social upbringing, his earthly pursuits and fame, his family, and finally his mortal body in an ardent desire to return home to the eternal and universal unity of “general life.” His vision of this unity underwent many changes but his urge to join it was always unwavering. He searched for it in the recollections of childhood, wild life in natural environment, romantic love, marriage and family life, literary and pedagogical pursuits, peasant lifestyle, and an escape from everything he cherished.

Tolstoy’s day-to-day engagement with nature shaped who he was and how he conceived of himself; it is reflected, abundantly, in what he wrote. But while the natural world remained an essential touchstone for Tolstoy for the whole of his life – a reservoir and measure of what was authentic and good – as he grew older this regard was tinged with ambivalence. He came to believe that not everything that was natural (war, violence, predation, sex) was necessarily good, and he appears to have doubted whether humans could live in a way that was at once fully natural and fully moral. This essay explores this central paradox of Tolstoy’s thinking, and focuses particular attention on the following aspects of his relationship with the natural world: the "green" creation myth that Tolstoy self-consciously fashioned about himself; the close link between nature and Tolstoy’s sense of the divine; Tolstoy’s presciently ecological conception of life in nature as a realm of both ceaseless "struggle" (war) and overarching harmony (peace); Tolstoy’s environmentalism.

The estate at Yasnaya Polyana was both a blessing and a curse to Tolstoy and his wife Sofia. It became the beloved familial, historical stage where the Tolstoys proudly lived and raised their ten children, and Tolstoy wrote his work. It had belonged to his mother, whose great-grandfather Major General Prince Sergei Volkonsky had purchased it in 1763. Tolstoy inherited the property of 330 serfs in 1847, and in 1860, inherited another 300 serfs when his eldest brother died. He had sold half his land and the main house to pay gambling debts by the time he married in 1862. In the next two decades, he managed to re-establish the Tolstoy fortune, investing money earned from the novels in land nearby and in Samara province. By 1880, Tolstoy believed that property ownership was evil. His self-censure reflected his ambitions to acquire property. He had quintupled the value of his holdings to 500,000 rubles by 1891, when the land was divided among his wife and children. After his death, they gave much of Yasnaya Polyana to the peasants, as Tolstoy requested, using the sale of his works to buy out their shares. Tolstoy’s family, literature, and property were everywhere intertwined.

When we think of Tolstoy we picture a man who looks as far from a typical Russian nobleman as possible: bearded and wearing peasant-style clothes. This chapter examines the clothing choices Tolstoy made throughout his life and sets them in the contexts of imperial dress codes and his own thinking about Christianity and his place in the world. After Peter the Great introduced European dress for the nobility in the early eighteenth century, a large cultural divide developed between peasants and nobles. Tolstoy grew up wearing the clothing of the European elite while the peasants on his family estate wore more traditional Russian dress. However, in the 1860s Tolstoy began to wear a peasant-style beard and long, loose shirts, albeit made from more luxurious materials than were worn by the peasants themselves. Then, in the 1880s he began to make his own leather boots. This was all part of his broader philosophical project and attempt to lead a simpler, more Christian life. Though Tolstoy’s lifestyle choices often made things more difficult for his family, he nonetheless inspired many followers who imitated his dress style.