In 2003, rescue excavations at Piazzeta dell'Anfiteatro, Trento, identified an extramural funerary area dated to the 5th c. CE. The necropolis yielded 45 coins (3rd–5th c.), most of which were involuntary losses. Owing to the sound stratigraphy of the site, these coins present a reliable sample of coinage circulating in Tridentum during the 5th c. This study presents a brief synthesis of the transformations undergone by the Late Antique city, so as to understand the dynamics attested in Piazzeta dell'Anfiteatro, a description of the stratigraphic units that contained coins, and a detailed analysis of the coins from several perspectives. The aim is to improve our understanding of the Late Antique monetary history of the city and Trentino's territory.

By the end of the 1930s in Italy, ambitious winter and summer camps or colonie cimatiche for the young had been erected along Italy's coastline and in its Alpine resorts. Here, thousands of Italian children from the country's urban centres were sent to experience a regime of fresh air, exercise and Fascist propaganda. The small village of Fai in the autonomous province of Trento in the Italian Alps was home to the first such Alpine colonia managed by the Italian Fascist youth organisation, the Opera Nazionale Balilla. Through an examination of a range of contemporary Italian publications, this article will reveal how the Alpine colonia climatica went beyond its official remit of ‘climatic assistance to childhood’. It offers evidence of the Fascist regime's exploitation of these establishments in newly-annexed Trentino as a tool to unify and italianise, and argues that they were used to promote a militarised view of the national landscape.

Filippo Tommaso Marinetti's first experience of active combat was as a member of the Lombard Battalion of Volunteer Cyclists and Motorists in the autumn of 1915, when he fought in the mountains of Trentino at the border of Italy and Austria-Hungary. This article examines his experience of mountain combat and how he communicated aspects of it both to specialist, Futurist audiences and to the general public and soldiers, through newspaper articles, manifestos, ‘words-in-freedom’ drawings, speeches and essays written between 1915 and 1917. Marinetti's aim in all of these wartime writings was to gain maximum support for the Futurist movement. Thus, he adapted his views to suit his audience, at times highlighting the superiority of the Futurist volunteers over the Alpine soldiers and at others seeking to distance Futurism from middle-class intellectualism in order to appeal to the ordinary soldier. Marinetti interpreted the war's relationship with the natural environment through an exclusively Futurist lens. He sought to ‘futurise’ the Alpine landscape in an effort to reconcile the urban and technophilic philosophy of his movement with the realities of combat in the isolated, rural and primitive mountains of Trentino.