Chapter 9 suggests how Hinduism and Confucianism may be understood in relation to the construct of transcendentalism in order to set up a discussion of India and China in the final chapter. (Unearthly Powers had largely taken Christianity, Islam and Buddhism as the main examples of transcendentalist traditions.) This involves a consideration of distinct forms that the Axial Age took in both regions and the religious and philosophical traditions that emerged from them. The diverse traditions coming under the umbrellas of Hinduism and Confucianism represent very substantial continuity with the immanentist pre-Axial past, especially in a fundamental emphasis on the role of ritual action. However, they also incorporated Axial elements, particularly an emphasis on liberation/salvation in the case of Hinduism and ethical rectitude in the case of Confucianism. Confucianism remains the most awkward fit within the mould of transcendentalism because of the absence of a soteriological imperative.

Chapter 1 explains the theoretical framework deployed throughout the book, largely drawn from the companion volume, Unearthly Powers. Above all, this means explaining the two forms of religiosity – immanentism and transcendentalism – and how they related to each other. While immanentism is a default or universal strand of human life, transcendentalism defines what is distinctive about the religions of salvation that emerged from the Axial Age of the first millennium BCE. These world religions also contained an immanentist element, however, even as they produced reform movements that insisted on the transcendentalist dimension. These modes also gave rise to two different means by which rulers could be sacralised: divinised kingship (immanentism) and righteous kingship (transcendentalism). The chapter then fleshes out a tripartite model for ruler conversion: (1) religious diplomacy often first induced rulers to favour foreign missionaries; (2) immanent power, or supernatural assistance in this life, tended to be crucial in convincing them to make a change of allegiance, and (3) the Christianisation of their realms was linked to its capacity to enhance their authority. Lastly, the themes of cultural glamour and intellectual appeal are introduced.

The introduction outlines the arrangement of the book, explains the comparative method and the selection of the case studies, and comments on the primary sources.

This chapter provides an overview of vegetarian and vegan practice from Ancient times to the beginning of the twentieth century. The first section focuses on the representation of Pythagoras in Ovid’s Metamorphoses and on the Aristotelian and Biblical depictions of the relationship between humans and non-human animals; the second explores Early Modern attitudes, including a discussion of the vegetarianism in More’s Utopia; the third offers readings of Swift’s Gulliver’s Travels and Goldsmith’s The Citizen of the World; the fourth details the emergence of the word ’vegetarian’ in the context of Romanticism and Transcendentalism.

The complicated relationship between American and European cultural production, particularly in the nineteenth century, is the subject of this chapter. American essayists of this period were, on the one hand, greatly influenced by the literature and culture of Europe and sought to absorb its lessons into their own writing. On the other, these same essayists pushed back against the idea that European writing should be their primary influence. Instead, they frequently critiqued Europe from afar and sought to develop a new idiom and fresh form of expression unique to the United States. Writers like Washington Irving, Walt Whitman, Ralph Waldo Emerson, Margaret Fuller, Edgar Allan Poe, Frederick Douglass, Henry James, and Henry David Thoreau explored the many tensions between the United States and Europe in their essays and used them to debate the extent to which America should remain in Europe’s cultural shadow.

This chapter focuses on the essays of Transcendentalists such as Henry David Thoreau, Ralph Waldo Emerson, and Margaret Fuller who used writing as a spiritual and philosophical tool. This special form of prose allowed them to write themselves, and thus Transcendentalism as a movement, into being, creating a flexible, open-ended, and experimental instrument for the radical self-fashioning of an emergent sensibility: the American individual as a freestanding soul, entire in (him)self, capable of encompassing all the potential of the cosmos. The resulting works forever stamped this most antinomian of genres with the Transcendentalist’s indelible signature. The chapter traces the movement back to Harvard College in the 1820s and ’30s, where students and faculty discussed spirituality, philosophy, and the art of writing. The chapter traces the influence of this convergence and of key figures like the Unitarian preacher William Ellery Channing on the burgeoning movement. The chapter’s final pages highlight how central Transcendentalism has been to the American essay tradition, with writers today of greatly varying backgrounds absorbing its lessons and style into their own writing.

By analysing material from and slightly after Heidegger’s brief time as rector of Freiburg University, I show that he conceives of the state and the educational system as means to sustaining a communal commitment to a philosophically inflected nationalism. Although it relies on a distinctly Heideggerian conception of the state, Heidegger’s nationalism is by most measures rather trivial. He does, however, try to philosophically justify his nationalism and antisemitism by recourse to what has become known as the history of being. I show that this period of Heidegger’s thought is marred by several assumptions and inferences that contradict his earlier and much more convincing social ontology. I thus find myself in a position to criticise Heidegger’s politics from within. More specifically, I criticise Heidegger for inconsistently attributing an exceptional type of world-disclosure to the Führer; for confusing ontic and ontological senses of community and the shared world; and, finally, for giving methodological priority to a radical form historicism over and above transcendentalism.

This chapter surveys the history of nature writing and the nature essay, from American Transcendentalists such as Ralph Waldo Emerson, Henry David Thoreau, and Margaret Fuller to more recent writers such as Barry Lopez, Amitav Ghosh, and Camille T. Dungy. The author examines the political and scientific aspects of nature writing and the genre’s response to changing conceptions of “nature.”

In “Toward a Transatlantic Philosophy of Nature,” Samantha C. Harvey demonstrates how British Romantic poets like Wordsworth and Coleridge articulated a philosophy of nature in poetic form that would be reinterpreted in two central prose works of American Transcendentalism: Emerson’s Nature (1836) and Thoreau’s Walden (1854). Through detailed analysis of the works of Wordsworth and Emerson, Harvey suggests that nature’s vital role in the nineteenth century becomes particularly pronounced when Romanticism is considered as a transnational movement that flowed beyond national boundaries. Harvey shows how a transcendentalist philosophy of nature crossed, recrossed, and crisscrossed the Atlantic in various directions, undergoing continual transformations along the way.

Given that “Nature” is historically imbricated in the history of Christianity, the secularizing movement of modernity puts nature under intense pressure. The resulting conflicts are modeled by the United States, which authorized political revolution by invoking “the laws of Nature and of Nature’s God.” The American Transcendentalists extended nature as divine order and transcendent arbiter to authorize intellectual revolution, consolidating liberal Protestantism, European Romanticism, and modern science into a template for the meaning of nature in modernity; humans became not humble creatures in God’s creation but God’s avatars commanding all merely material beings. Today, as the resulting ecological collapse destabilizes inherited concepts of nature, “ecology” is offered as a replacement, even though ecology as a science cannot offer moral value or spiritual meaning. This intellectual history is traced through the founding work of Ralph Waldo Emerson, who offered idealism as the engine of modernity, and three followers, Orestes Brownson, Henry David Thoreau, and Margaret Fuller, who variously pluralized nature into the plenitude of material forms and beings seen as vulnerable incarnations of a higher or divine life force, prefiguring the science and ethics of ecology as an aspect of, rather than replacement for, nature.

This chapter continues the analysis of Dylan’s conspicuous and copious allusions to events, characters and literature from the past with reference to Fredric Jameson’s (2011) Marxist historiography. It explores the parallels between Dylan’s romantic attachment to nature and his cultural forebears in nineteenth-century New England transcendentalism, and argues that this was rooted in his Midwestern upbringing on the Minnesotan Iron Range. As with the analysis of Lennon in Chapter 4, it shows how Dylan’s historical awareness formed the basis for his acute response to cultural tensions that arose as the post-war Fordist economic boom shifted into the economic crises of the early 1970s.

This chapter shows that biblical criticism encouraged some figures, including Ralph Waldo Emerson and Theodore Parker, to abandon what they perceived as transient historical grounds for what they understood as a transcendent moral sphere. Many scholars have stressed the ahistorical aspects of Transcendental belief and emphasized the ways in which Transcendentalism outgrew its Unitarian roots. In doing so, however, they have often neglected to note how historical arguments freed heterodox thinkers such as Emerson and Parker in their attempts to build atemporal worlds. While most biblical scholars used historical readings to ground universal truths in a biblical past, these Transcendentalists employed historical explication to unmoor such truths from that historical setting. The growing perception of historical distance assisted them in that effort. As these and other thinkers drew attention to the shiftiness of historical evidence, the limitations of time, and the remoteness of the past, they exposed the transience of the historical grounds on which American Protetants based their faith.

William James was one of the most influential American psychologists and philosophers. His writings remain thought-provoking and relevant more than a century after his death. His seminal ideas range from free will, determinism, the nature of consciousness, the mechanisms responsible for our emotions, religious and spiritual experiences, psychic phenomena, and the veracity of mediumship. This chapter focuses on what is less well known, that behind the appearance of success he lived a life burdened with recurrent depression, hypochondria, and myriad physical afflictions, most of them psychosomatic in nature. His search for a career path was long and torturous. At different stages in his life, he was a frustrated artist, a reluctant physician, and a drifter. He found his calling in teaching. His lifelong search for the nature of the mind and the soul was deeply entangled with his father’s, whose tragic and accidental loss of a leg in childhood led to a relentless lifelong quest for “real” answers. The chapter also touches on Ralph Waldo Emerson, his godfather, and includes brief descriptions of William James’ famed novelist brother, Henry James, Jr., as well as his sister, Alice James, the brilliant reclusive diarist.

This chapter shows that in the German intellectual tradition, Kant, followed by Fichte and Hegel, saw the reliance upon the opinion of others (“recognition”) in a completely different way than the French and British traditions. Specifically, in Germany recognition was seen as a condition not only for self-control, but also for individual self-determination. The chapter provides a detailed explanation of how this shift in orientation became possible, its connection with the “idealistic” presuppositions of German philosophy at the end of the eighteenth century, and the broader political claims of this new interpretation of “recognition”.

Whitman adopted photography as a model for literary practice. By emulating the immediacy effects and truth claims of photography, Whitman developed an innovative style that aimed to endow his poems with the same qualities he valued in the new medium—particularly directness, accuracy, naturalness, and inclusiveness of representation—and the cumulative experience of these qualities by the beholder as a sense of authenticity, media transparency, and immediate encounter. Comparing the representational powers of photography and literature helped Whitman to gauge the spiritual, cultural, and political function of literature. The chapter presents Whitman’s turn towards immediacy as part of his attempt to renew and democratize American poetry. It argues that Whitman’s engagement with photography led him to create a poetic style that allowed him to address the particulars of time and place, to take the details of everyday life as his subject matter, and to invest them with an egalitarian ethos by staging the dynamics of literary communication as a model for democratic social interaction. In Whitman’s work, the appeal to immediacy thus gains a decidedly political momentum.

Commenting on the findings of the previous two chapters on Emerson’s and Whitman’s reflections on photographic immediacy, this chapter stresses the social, political, and media cultural context of their work. It argues that Emerson’s and Whitman’s romantic quest for immediacy was not an escapist endeavor that aimed to keep literature aloof from larger social and technological transformations. Instead, both writers creatively responded to the reshaping of American society under the pressures of budding industrialization and halting democratization processes by developing a poetics that sought to connect literary and social practices. Emerson’s and Whitman’s poetics of immediacy ground literary communication in the lived experience of writers and readers, make literature relevant to the concerns of everyday life (including social and sexual relations, spirituality, work, and politics), and seek to strengthen their readers’ active participation in the world.

The chapter shows that Emerson and Whitman refined their poetics by probing the truth claims and reality effects of photography. It expands our understanding of American romantic literature by connecting the romantic concern with intuition, firsthand experience, and organic expression to the emergence of photography. Claims to authenticity and immediacy were central to the reform efforts of the transcendentalists because they enabled them to resist social conventions, to counter the commercialization of literary culture, and to renew literature’s democratic ethos. The chapter identifies photographic discourse as an important testing ground for this orientation. Emerson repeatedly reflected on photography to think through the relations between knowledge and mediation and to define the cultural role of literature. At first, he held that the camera’s capacity to record optical reality without distortion realized his ideal of intuitive insight and original expression. His attitude towards photography grew more ambivalent, however, as his commitment to a poetics of process deepened. Seeking to represent a world in flux, Emerson grew wary of photography’s stabilized records of reality.

This chapter explores Holmes’s emerging theology. Holmes was deeply agnostic; he had a modern and scientific view about the limits of human understanding. At the same time, he was inspired by a spiritual conception of human life. In these views, he was influenced by the Transcendentalism of Ralph Waldo Emerson. Understanding Holmes’s views thus requires recognizing their connection to Eastern philosophy as well as their origins in New England Puritanism and the Unitarian movement.