An examination of the Anatolian sources of Greek theogonic traditions, syncretistic myths that took shape in admixed Ur-Aeolian–Luvian communities in the Late Bronze Age, and descendent Aeolian assemblages of mythic and cult elements that persist into the Iron Age. Essential to many of these traditions is the presence of honey, especially honey having psychotropic properties of a sort that occurs naturally along the southern and eastern shores of the Black Sea.

Angeliki Lymberopoulou identifies the basic characteristics of the imagery of Hell (the Place of Hell Formed by the River of Fire, Individual Sinners and Communal Punishments), but highlights the absence of iconographical standardisation. Since Hell signified divergence from the preaching of the Orthodox Church and highlighted to the faithful the consequences of sin, it was often formed according to the degree to which communities were affected by each transgression. As such, the professions depicted offer us valuable insight into the economic structure of the society and the role of women within a male-dominant society. To highlight the significance of repentance, individual sinners are often placed at eye level, creating a telling proximity between sinners and churchgoers, who are brutally reminded of the significance their own deeds could have in determining their final destination – Paradise or Hell. It can be argued that Cretan imagery of Hell acts as the Church’s call for repentance from the faithful, encouraging social disapproval of those who transgress against penal and ethical law.

Angeliki Lymberopoulou identifies the basic characteristics of the imagery of Hell (the Place of Hell Formed by the River of Fire, Individual Sinners and Communal Punishments), but highlights the absence of iconographical standardisation. Since Hell signified divergence from the preaching of the Orthodox Church and highlighted to the faithful the consequences of sin, it was often formed according to the degree to which communities were affected by each transgression. As such, the professions depicted offer us valuable insight into the economic structure of the society and the role of women within a male-dominant society. To highlight the significance of repentance, individual sinners are often placed at eye level, creating a telling proximity between sinners and churchgoers, who are brutally reminded of the significance their own deeds could have in determining their final destination – Paradise or Hell. It can be argued that Cretan imagery of Hell acts as the Church’s call for repentance from the faithful, encouraging social disapproval of those who transgress against penal and ethical law.