The cemetery at Sutton Hoo in East Suffolk includes tumuli dating to the sixth–seventh centuries ad. The largest contained an intact ship-burial. The man commemorated is not identifiable, but is often presumed to be Rædwald, rex Anglorum c ad599–624/5. Excavation was curtailed by the outbreak of war in 1939. Despite subsequent re-excavation and lengthy research, questions remain.

Information dispersed in the definitive publication is correlated and developed. Digital 3D imaging of the ship’s iron fastenings are used here to extrapolate curved lines of missing rivets and superimpose them on the burial chamber plan. A digital roof reconstruction is also presented.

Mechanisms of collapse of the objects are deduced from their positioning and damage, revealing space for access to the chamber. A cross-section depicts the calculated height of the deck and known tilt of the ship. Residues of phosphate, Middle Eastern bitumen, tar and tape cumulatively suggest embalming practices. A temporary coffin and a bed on which possessions were placed are proposed.

The most valuable object relinquished is deduced to be the ship. Fragments of a possible anchor are identified. The suggested identification of the iron stand as a raised light would allow supporting ships to follow.

O.G.S. Crawford was not only a prominent archaeologist, but also an active photographer who prioritised this relatively new medium in archaeological reserach. This article examines archival images taken by Crawford during the 1939 Sutton Hoo excavation, on the eve of its eightieth anniversary.

This paper presents some new observations concerning the construction of the Sutton Hoo helmet, as a point of entry to a wider discussion of pre-Christian religious and ideological links across Scandinavia. It will be argued that in certain circumstances and locations, such as the firelit interior of the hall, the wearer of the helmet was seen as both war leader and war god, a literal personification of Odin. This interpretation is supported and extended with a variety of Scandinavian finds from the sixth to tenth centuries, and arguably represents an unusually physical manifestation of the ritual border-crossing between human and divine elites. In the socio-political context of early medieval kingdoms, the dramatic imagery of the helmets and related military equipment had a critical role to play in the communication of power, the origin of military prowess, and the religious allegiance of a warlord.

The iron-axe hammer from the Mound 1 ship-burial at Sutton Hoo is reinterpreted as an instrument for sacrificing animals by pole-axing. As such it is a symbol of the leader-as-priest who was a feature of both Germanic and Roman pre-Christian society. (The editor is most impressed with this interesting suggestion).