The 1650s saw an influx of young women to skilled apprenticeships in London's companies. Apprenticed to women through the names of their husbands, they practiced seamstry and millinery in a wide range of guilds. The preprinted forms by which these girls were indentured demonstrate the means by which a long-established city institution both made room for women, incorporating them into the culture of company, and kept them marginal. A series of print and manuscript adaptations marked out girls’ forms, paying particular attention to the rules around marriage, and resulting, by the late seventeenth century, in a new trend towards non-sex-specific forms. This article argues that record keeping was both symbolically and concretely important for women's work and that the material culture and context of these print objects can shed a new light on gender roles at a key juncture in the histories of work, contracts, and the city.
