This article reconsiders the religio-ritualistic interpretations of the use of the rhyton within eighth-century CE Sogdiana. Through a close art-historical analysis, it argues that three eighth-century wall paintings from Panjikent illustrate a drinking game. This proposal expands the current breadth of meaning attributed to the imagery decorating Sogdian homes. Not only could the paintings illustrate epic narratives, religious veneration, or moral didacticism, but they could also celebrate conviviality, fun, and humor.

This article aims to discuss the question of the inculturation of Syriac Christianity in Central Asia, based on archaeological examples including architectural evidence from a particular ethnocultural area: Sogdiana. It questions to what extent the Eastern Syriac Church has become rooted in local culture, thus enabling Christian communities to express their faith in both material and artistic ways. This article is divided into two sections which present a comprehensive study of the medieval sources relevant to the spread and establishment of Christianity in the Central Asian landmass by considering and analyzing existing tangible evidence. In doing so, it provides assessment of comparable evidence, which demonstrates both the “extended” and an “immediate” context in which Eastern Syriac Christianity was accepted, adapted and transformed into a localised expression of Christian faith.