In Anglo-Saxon and Viking literature swords form part of a hero's identity. In addition to being weapons, they represent a material agent for the individual's actions, a physical expression of identity. In this article we bring together the evidence from literature and archaeology concerning Anglo-Saxon and Viking-age swords and argue that these strands of evidence converge on the construction of mortuary identities and particular personhoods. The placement of the sword in funerary contexts is important. Swords were not just objects; they were worn close to the body, intermingling with the physical person. This is reflected in the mortuary context where they were displayed within an emotive aesthetic. Typically, swords were embraced, placed next to the head and shoulders, more like a companion than an object. However, there are exceptions: graves like Birka 581 and Prittlewell show sword locations that contrast with the normal placement, locations which would have jarred with an observer's experience, suggesting unconventional or nuanced identities. By drawing on literary evidence, we aim to use the words of the Anglo-Saxons and Vikings to illuminate the significance of swords in mortuary contexts and their wider cultural associations.

Warfare is increasingly considered to have been a major field of social activity in prehistoric societies, in terms of the infrastructures supporting its conduct, the effects of its occurrence, and its role in symbolic systems. In the Bronze Age many of the weapon forms that were to dominate battlefields for millennia to come were first invented—shields and swords in particular. Using the case study of Ireland, developments in Bronze Age warfare are traced from the Early to the Late Bronze Age. It is argued that during this period there was a move from warfare that made use of projectiles and impact weapons to warfare that used both defensive and cutting weapons. This formed the basis for a fundamental reorganization in combat systems. This in turn stimulated change in the social organization of warfare, including investment in material and training resources for warriors and the development of new bodily techniques reflecting fundamental changes in martial art traditions. Metalwork analysis of bronze weapons and experimental archaeology using replicas of these are used to support this position. The article explores how developments in fighting techniques transformed the sociality of violence and peer-relations among warriors and proposes that these warriors be regarded as a category of craft specialist exerting significant social influence by the Late Bronze Age.