This contribution brings racial affect theory to bear on the literary representation of Roman manumission, in the process developing new critical tools for the history of Roman slavery as a mechanism for racialization. Through a close reading of the freed man Hermeros’ diatribe in the Cena Trimalchionis, I argue for the centrality of racial melancholy to the discursive and social forms by which manumission came to be experienced and figured. The operation of this racial melancholy in Petronius’ text is decomposable into two distinct, but complementary, sentimental performances: paranoia on the one hand, and compulsion into (evasive) autobiographical confession on the other. The interlinking of these performances within Hermeros’ speech generates a melancholic affect, which I conceptualize as a disposition for managing and negotiating the grief of enslavement and manumission. In formulating and grounding this claim, I hope to clear a space for mutually enriching exchange among historians of Roman slavery, historians of premodern race, and those literary critics and cultural theorists who have been influential in setting the terms for the “affective turn.”

The chapter first reviews hypotheses concerning the nature of ‘Milesian tales’. Harrison 1998 had proposed a modified version of Bürger 1992, suggesting that in this genre an anchor-narrator told of scabrous events in a quasi-ethnographic account of his visits to various places; Jennson 2004 had suggested that the Amores transmitted as Lucian’s pointed to Μιλησιακά in which the key-narrator recounted adventures that were both his own and told to him by others, i.e. just what we find Encolpius doing in the Satyrica; and Regine May had argued in 2010 that the prosimetric ass-papyrus P.Oxy. 4762 preserves part of Aristides’ Μιλησιακά, ‘Milesian Tales’. After noting these hypotheses the chapter briefly explores the impact of Μιλησιακά on the Greek novels. Finally it investigates their earlier history, suggesting that just as Sybaritica, ‘Sybaritic tales’, linked to them by Ovid, are shown by Aristophanes’ Wasps already to be a form of λόγοι, ‘stories’, circulating in the 420s BC, so too Μιλησιακοὶ λόγοι, ‘Milesian stories’, may have already been current in Athens by then, linked to Miletus’ fame as a provider of dildoes (cf. Aristophanes’ Lysistrata) and as Aspasia’s city of origin.

Having demonstrated a more plausible social context for the gospel writers in the previous chapter, Chapter 4 establishes how many of the features of the gospels traditionally associated with their exceptionalism – for example, anonymity or consulting eyewitnesses – can be understood as evidence of rhetorical strategy and literary influence. By comparing the Synoptic gospels to the Satyrica, in particular, we see how these writings were in dialogue with the literary interests of the age in subjects like funerary meals, crucifixion, resurrection, and so forth.