Julia Lee identifies temporal, spatial, and affective innovation in 21st century transpacific fiction. Locating formally innovative contemporary Asian American writing in the post-1965 contexts of migration, global economies of labor, environmental anxiety, language difference, and racialized violence, Lee shows how writers have represented new technologies of immediate communication across oceanic flows of migrants, commodities, information, and waste in disjointed, parallel, and non-sequential narrative structures. Childhood trauma lingers across time and geography in a story about a Filipino nurse by Mia Alvar, while novels by Min Jin Lee, Ruth Ozeki, and Thi Bui layer Asian and American modernities, postmodernities, and contemporary present-tenses.

Mark Goble uses the concept of convergence to explore the implications of formal and temporal compression, economy, and slowness in an age of unprecedented expansion and speedup. Richard McGuire’s Here presents an extreme example of spatial restriction and temporal expansion, while novels by Ruth Ozeki, Richard Powers, and William Gibson juxtapose ecological, scientific, technological, and theological timespans to human ones in ways that echo postmodern and science fiction precursors, but with very different aims and warnings in mind for denizens of the Anthropocene.

A key development in Cristina Henríquez’s 2014 novel The Book of Unknown Americans comes when an immigrant family from Mexico loses their U.S. visas, and ultimately their daughter’s spot in a special needs school, because the father has lost his job. By narrating the personal repercussions of this shift in documentation, Henriquez insists on making visible the human cost of immigration policies and the precarity of documentation, a longstanding precarity that has taken on heightened resonance in our current political moment. This chapter takes up the gendered inflections and devastating effects of shifting states of documentation in contemporary novels by women writers, including Henríquez, Ruth Ozeki, Julie Otsuka, Lisa Ko, and Bich Minh Nguyen. These texts reveal not just a project of rendering immigrant and undocumented life visible, but also an emphasis on documentation and broader gendered and racialized conceptions of U.S. national identity as vulnerable states.