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1 results

  • 1 - The Rose Theatre, London, and Stage Movement in Marlowe’s Doctor Faustus

  • Joanne Tompkins, University of Queensland, Julie Holledge, Flinders University of South Australia, Jonathan Bollen, University of New South Wales, Sydney, Liyang Xia
  • Book:
    Visualising Lost Theatres
    Published online:
    18 August 2022
    Print publication:
    25 August 2022, pp 15-37
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  • Summary

    Chapter 1 examines London’s Rose Theatre (1587–1603), which contributed significantly to the development of western theatre. We explore Marlowe’s Doctor Faustus in the intimacy of the Rose against his large-scale imagined worlds. The Rose was located very near the Globe Theatre, best known for William Shakespeare’s plays. The virtual-reality model of the Rose highlights physical proximity as a key factor in this intimate amphitheatre. The chapter takes readers through blocking and how a virtual model can determine possibilities for movement and action on this stage, against both a physical and metaphysical attention to subjectivity, as audience members were shifting from the end of the medieval era into the early modern era. In this polygonal cauldron-like venue, Doctor Faustus rehearses the profound shifts of subjectivity from God-centred to human-centred. The performance laboratory research conducted in the virtual amphitheatre demonstrates a convergence of multiple theatrical forms, philosophical ideas, and audiences.