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  • Chapter 11 - Collingwood on “Painting Imaginatively” and the Expressive Nature of the Artwork

  • from Part II - Issues in Collingwood’s Philosophy
  • Edited by David Collins, Churchill College, Cambridge, Christopher Williams, University of Nevada, Reno
  • Book:
    Interpreting R. G. Collingwood
    Print publication:
    05 December 2024, pp 204-222

  • Summary

    On the standard “Wollheimian” reading of Collingwood’s aesthetics, Collingwood held that something is art in the true sense of the word when it involves an act of “expression” – understood in a particular way – on the part of the artist, and that artworks in all art-forms are “ideal” entities that, while externalizable, exist first and foremost in the mind of the expressive artist. I begin by providing a fuller account of the Wollheimian reading. I then survey challenges to and defenses of this reading, identifying residual difficulties confronting anyone who seeks to defend Collingwood. I attempt to resolve these difficulties by developing the idea that we take at face value Collingwood’s (overlooked) claim that the work of art is identical to the expressive activity of the artist rather than being identical to the expressive product of that activity, reading this claim in light of Collingwood’s talk about the painter as one who “paints imaginatively.”