Power in sociological studies of memory is commonly understood as a function of political interests that are successfully framed as an inclusive and convincing story about selected elements of the past. By showing how negotiations of memory are driven by dynamics of symbolic exchange and by distinguishing techniques of narration emerging from this process, I develop a theoretical model that helps to better understand the locus of symbolic power in mnemonic agency. I consider the case of the plans surrounding a European history museum to show how persistent notions of cultural unity can be drafted in democratic societies.

This article investigates how institutions of cultural production become invested in the national meanings of their products and employ these associations for their own reproduction and expansion. The case I take is of the tea ceremony in Japan, from its pre-modern origins, through its capture by the organizational form of the iemoto system, and to its contemporary projection as a quintessence of Japaneseness. The ritual offers a particularly vivid illustration of the ways in which symbolic power can not only be periodized, first through its accumulation and then its routine exercise, but can also be successively articulated, at first with the state and then with the nation.