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1 results

  • 3 - Phoenician Women

  • Claire Catenaccio, Georgetown University, Washington DC
  • Book:
    Monody in Euripides
    Published online:
    27 July 2023
    Print publication:
    10 August 2023, pp 112-156

  • Summary

    In Euripides’ Phoenician Women, produced around 410 BCE, actor’s lyric takes on a role of unprecedented importance in the shaping of plot and in the development of character, counterposed to and to some extent replacing choral lyric. Antigone, Jocasta, and Oedipus – all singing characters – are inextricably bound up in the ruin of their house. Three of the play’s four scenes of actor’s lyric feature Antigone; through song Euripides traces her progression from a sheltered maiden to a distraught mourner and finally to a mature woman who takes charge of her own and her father’s fate. Euripides here experiments with monody not only as a structural device to shape plot and create meaning but also as a means for the development of a complex female figure through the presentation of her evolving emotional state.