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The Conclusion and Epilogue gesture toward the listed dynamics of counting and materialization in later texts through the brief examples of the Parian Marble and Lindian Chronicle. These monumental inscribed text-objects can be understood as literal transformations of cultural value into list form, extreme inventories untethered from their contents.
This chapter deals with sculpture in Athens and Attica in the Archaic and Classical periods. Marble sculpture was introduced to Athens from the Cyclades in the late seventh century. Bronze became the dominant medium for sculpture from the late sixth century on.
The Greek city was a creation of the Archaic period, in architectural form as in political, religious and social life. Next to the major temples, the city walls were the most impressive works of architecture. Marble was used on a bigger scale in the fifth century, for whole temples and occasionally other buildings. At Acragas in the course of the century a series of temples was built; at Athens a great building programme was carried out in the second half of the century. The Doric and Ionic orders, fully developed in the sixth century, attained perfection by the middle of the fifth. The greatest sanctuaries attained a complex form in course of time, without a formal plan. The stoa played a vital role in Greek life and architecture. The uses of the stoas cover the whole range of Greek political, religious and social life.
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