Historically condemned for their commercial exploitation of poesy, and threat to authorial autonomy, the literary anthology was nevertheless one of the signal forms of literary modernism, in the US and beyond. It was at once a salient means for circulating and preserving verse and a genre in its own right. Although the little magazine has been the more attractive genre of study – both for the form’s closer proximity to collaborative literary production and for their amenability to digital scholarly methods – the anthology often had a symbiotic relationship to little magazines in the modernist period, and has endured as a form for aesthetic and political self-identification, speculative interpellation, preservation, and reclamation, as well as being a mode of reaching audiences beyond the “field of restricted production.” This chapter traces the US career of the anthology from Des Imagistes to An “Objectivists” Anthology, emphasizing the genre’s key importance for Black American writing.

Description: Since the beginning of the Industrial Revolution, there have been many, some of them major, industrial disasters in various parts of the world. Many were associated with mining activities that are inherently dangerous. Some were associated with the growing chemical industry. Some were linked with the transportation or storage of dangerous products. Some resulted from the interaction of industrial activity with natural phenomena. <break>Regulations have tried to reduce the number of accidents. But regulations create some costs and have always been resisted by the regulated, and by more libertarian governments that give more importance to economic and employment growth than to safety. The chapter describes some of these accidents, which resulted in significant deaths or property destruction.

As I show in this chapter, the broader developments in interpersonal and intersubjective relations that have taken place over the twentieth century have impacted on the way in which criminal responsibility organises relations of responsibility between individuals. I make two main arguments in this chapter. First, I argue that consorting laws fall into two generations. The first generation of laws, which appeared around the turn of the twentieth century, had a distinctive orientation, mode (which denotes the way in which criminal responsibility is expressed) and form. The second main argument made in this chapter is that these generations of consorting laws correspond to different relations of responsibility between individuals or ‘others’.