Recent scholarship on modern Jewish thought has sought to overcome the field’s Germanocentrism by recovering diverse visions of Jewish life across eastern and western Europe. While studies typically emphasize either striking differences or surprising affinities between these settings, I use the neglected eastern European philosopher Nachman Krochmal to highlight a strategy of creative appropriation and redirection—an eastern European strategy of breaking with German-Jewish philosophy precisely by deploying that tradition’s own resources. One of modern Jewish philosophy’s early episodes, I argue, is a politically charged engagement with biblical exegesis involving Krochmal and the German-Jewish thinker Moses Mendelssohn. Implicitly drawing on yet revising the treatment of biblical interpretation in Mendelssohn’s Hebrew writings, Krochmal seeks to retrieve what he sees as a vital element of Jewish politics: possessing neither a shared land nor military strength, he insists, Jews have long sustained their diasporic collective through hermeneutical endeavors such as rabbinic midrash, and they should continue to do so by launching a transnational project of historically sensitive exegesis. The resulting image of a transnational Jewish collective whose fate is separate from that of non-Jewish polities breaks with Mendelssohn’s political vision, pointing to an east-west dynamic of creative repurposing—an instance of an eastern European thinker drawing on a German-Jewish predecessor to develop a sharply contrasting philosophical vision.

The Hebrew Bible prohibits lending at interest. This is usually linked to care for the poor. A similar connection is found in post-biblical literature as well. In Deut 23:20–21, however, usury is disconnected from the poverty laws. Classical rabbinic literature (second to sixth centuries) follows Deuteronomy in sharply de-coupling usury from poverty: the usury prohibition in that corpus regulates commerce and property, and is not intended to benefit the poor. In a sharp break with classical rabbinic tradition, the usury prohibition is reassociated with the poor in piyyut and in the Tanhuma midrashim, two late antique genres of Jewish literature associated but not entirely contiguous with classical rabbinic literature. Both genres bring this tradition to the fore through the use of earlier rabbinic materials, which do not espouse it. This combination of usury and care for the poor mirrors fourth-century Christian writings on usury.

Lamentations Rabbah Proem 24, a late ancient rabbinic midrash, is in many ways a unique text within the entire rabbinic corpus. It presents an extraordinary array of characters (including Abraham, Moses, the Torah, and even the alphabet) who are called upon to placate God, but fail. As their quest proves inconclusive, the biblical Rachel jumps into the fray to tell her story: how out of sisterly compassion she allowed Leah to take her own place in the conjugal bed on “her” wedding night. Disclosing to her sister the secretive “signs” she had shared with Jacob, Rachel crawled under the nuptial bed to respond to Jacob whenever he spoke. This scandalous autobiography transforms an apparent instance of illicit sex, the ideal material for theatrical stage mimes, into an act of martyrdom and sublime compassion. This article argues that the performance culture of the late ancient Mediterranean world provides the key for assessing this text’s originality. We begin with an analysis of the text, drawing attention to its theatrical qualities and its relationships with contemporary visual imagery (mosaics) and texts from outside the rabbinic milieu (Christian Apocrypha). We then examine the casting of midrashic Rachel as a response to both the mimic adulteress and the Christian martyr. Finally, we consider rabbinic familiarity with mime, particularly with its usefulness as a social mediator and agent of collective catharsis. It is precisely these aspects of mimic performance, we argue, that Rachel’s vignette appropriates in this fascinating rabbinic text.

An assiduous interest in the plain sense of Scripture and shared interpretations of particular biblical passages can be observed in certain twelfth-century Jewish and Christian commentaries composed in northern France. While Hugh of Saint Victor and Rashbam engaged in independent endeavors to shed light on the sensus literalis and the peshat of Scripture, Andrew of Saint Victor attributed his knowledge of particular rabbinic interpretations to encounters with contemporary Jews. Yet points of convergence in Jewish and Christian exegesis can be observed even before the work of the Victorines and Rashi's disciples. The purpose of this study is to examine the midrashic interpretations transmitted in northern France around the beginning of the twelfth century in both the Glossa Ordinaria and Rashi's biblical commentaries. Interpretations are found in both corpora on occasions when their late-antique sources, such as Midrash Genesis Rabba and Jerome's Hebrew Questions on Genesis, themselves transmit similar insights. By analyzing an exposition found in both Rashi and the Gloss, the narrative of Abraham in the fiery furnace, this study seeks to clarify the nature and extent of this relationship. It thereby enables a more detailed understanding of the ways that midrash reached twelfth-century Jews and Christians and of how Rashi and the Gloss ensured the wide dissemination of these interpretations.

Picking up on the revived interest in the Song of Songs in biblical scholarship, the article focuses on the significance of the Song in the tradition of Jesus’ teachings. After a survey of rabbinic midrash on the Song, five examples show that Jesus as remembered in the gospel tradition expresses an unusual interest in the Song with a discreet mystical emphasis. The nuptial Christology that subsequently surfaces in Revelation and in Hippolytus and Origen suggests a continuous development as from the Jesus tradition. This continuity may explain the remarkable parallels between the interest of the Church Fathers in the Song and that of the Rabbis.

In Quran 7:163–6, God punishes the inhabitants of “a town by the sea” who have collected fish from the sea on a Sabbath by transforming them into apes (qirada). Almost none of the attempts to find a precedent for this punishment in pre-Islamic texts have been plausible. This article argues that this scene reflects post-biblical traditions referring to Numbers 11:19–20. This biblical passage deals with the Israelites who consumed quails that had come from the sea; they were doomed to partake of the meat until it came out of their nostrils and became loathsome to them. This was their punishment after having expressed their discontent with the manna, while craving for meat and fish and vegetables. The midrashic sources describe various obnoxious bodily effects which the meat of the quails had on their unrestrained eaters. It will be suggested that the punitive transformation into apes, suffered by the people of the town by the sea who ate fish, represents the Quranic reshaped version of the bodily infliction which the quail eaters suffered as a result of eating the quails that came from the sea. In support of this suggestion, several points common to the biblical quail eaters and the Quranic people of the “town by the sea” will be highlighted.

1 Thessalonians 4.16–17 has occasioned much scholarly speculation regarding Paul's conception of the resurrected body, the character of those caught up in Christ, the ultimate fate of those who are caught up in the air, and Pauline eschatology in general. The interpretation of the passage may be illuminated by comparison with rabbinic traditions in which the righteous escape judgment and destruction in Sheol by flying and being borne aloft by clouds, traditions that, given Paul's Jewish heritage, could well stand in the background of 1 Thess 4.16–17.