Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • Chapter 23 - Sexual Subjects

  • from Part IV - Critical Transitions
  • Edited by Ronald Cummings, Brock University, Ontario, Alison Donnell, University of East Anglia
  • Book:
    Caribbean Literature in Transition, 1970–2020
    Published online:
    16 December 2020
    Print publication:
    14 January 2021, pp 386-404

  • Summary

    This essay attends to representations of sexual themes and desires in Caribbean Literatures. It traces the emergence and development of a body of writings that propel both a sense and a politics of place while enacting epistemological and ontological ruptures of the Judeo-Western heteronorms that often frame Caribbean discourses and narratives. We argue that through their particular literary remittances of plural sexual subjectivity to the public archive of Caribbean historical memory, these writers engage in a shared advocacy for the interrogation, removal and dismantling of heteronormativity as the defining framework for contemporary Caribbean discourse. The expansive politics of this writing also shifts the thematic focus away from dominant depictions of Anglophone homophobia and Hispanophone ‘machismo’ to the multiple significances of women’s erotic agencies within the quotidian; the irruptions of transgender and gender nonconforming subjectivities; the performance poetics of transvestism and cross-dressing; and the passionate corporeal reversals of Antillean carnival and masquerade.