The 1980s was a decade in which African American literary production was starting to get the long overdue attention it deserved, but also a decade in which African American artists were emboldened to explore new territory, mainstream recognition be damned.The juxtaposition of James Baldwin’s funeral in 1987 and Trey Ellis’s essay “The New Black Aesthetic” in 1989 represent not a mere passing of the torch from the old guard to the avant-garde.Rather, the old guard was flourishing, and younger artists were also getting attention on new frontiers.In an unprecedented way, the 1980s marked an era when Black writers were sought out and recognized, to the point that their work dominated the critical conversation.This was especially true of Black women writers such as Toni Morrison, Alice Walker, and Rita Dove who enjoyed a readership unlike anything they had ever seen before.

Chapter 12 presents a discussion of female solo artists in the popular music industry, with a particular focus on the influence and lasting effects of MTV and superstar branding. Through considering the careers of Tina Turner, Sinéad O’Connor, Alanis Morissette, and Fiona Apple, Kristin J. Lieb probes the recurring themes of the human sacrifice of being a pop star, the sharing of narratives about abuse and exploitation, the recasting of the hot mess as a survivor, and the exploration of taboo subjects and identities.