Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • 10 - September Sensibilities

  • from Part III - From Summer to Autumn
  • William A. Everett, University of Missouri, Kansas City
  • Book:
    The Year that Made the Musical
    Published online:
    26 September 2024
    Print publication:
    11 July 2024, pp 139-156

  • Summary

    On the first two days of September, two musicals opened that offered descriptions of different peoples of colour for white Broadway audiences: Sissle and Blake’s The Chocolate Dandies (African Americans); and Friml, Stothart, Harbach and Hammerstein’s Rose-Marie (Indigenous peoples of Canada). Problematic stereotypes were performed in both instances, though The Chocolate Dandies featured Josephine Baker and Elisabeth Welch in its cast. Musicals opening later in the month included a new edition of The Passing Show and George Gershwin’s musical written expressly for London, Primrose, with a book by Guy Bolton supervised by George Grossmith, Jr.