The cult of Zhunti 准提/準提 (Sanskrit: Cundī) is a unique religious and cultural phenomenon in China. However, the scholarship devoted to its history has long been dominated by two problematic models—the model of ‘Sinification’, according to which the goddess Zhunti is a Chinese Buddhist deity borrowed from an Indian source, and the ‘evolution’ model that depicts the persistence of the Zhunti cult as a continuous and gradual process. I challenge these views and instead argue that, far from being a foreign transplant, Zhunti is a deity ‘made in China’ and there is no evidence of continuity in the development of the cult from the Liao to Ming–Qing times. To justify these assertions, I re-examine the development of the cult of Zhunti by exploring its vicissitudes throughout history and highlighting the ‘Chinese creations’ that were produced during the process of the making of the goddess Zhunti.
