The tomb of Marcus Venerius Secundio was discovered in July 2021 in the necropolis of Porta Sarno at Pompeii. This paper contextualizes it against the backdrop of 1st-c. CE burial customs and social history. The inscription on the pediment shows that the tomb owner was a former public slave who, after manumission, rose to the rank of the Augustales; he was a “custodian” of the temple of Venus, and he organized “Greek and Latin games/performances.” This is the first archaeological discovery providing direct evidence of Greek musical and/or theatrical performances at Pompeii. Another peculiarity is that Secundio was inhumed, not cremated, a practice so far unique among adults in Pompeii during this period. The inhumation of Secundio and his titulus sepulcralis can be read as local reflections of the Neronian zeitgeist and shed light on the modes by which cultural trends spread from the capital throughout the empire.
