The 1860s opened with a new geopolitical prospect for Europe: Italian unification, achieved in 1861. Elizabeth Barrett Browning, outspoken supporter of Italian independence, tracked the period of transition between the 1859 Second War of Independence and the creation of the new nation-state in her final work, collected in Last Poems[GK8] (1862). Though understudied patriotic poems like “The Sword of Castruccio Castracani,” “Garibaldi,” and “The King’s Gift” look forward to celebrate an anticipated national consensus, they also look back, working through public processes of mourning. Celebrating the unification of disparate kingdoms and imperial territories under a constitutional monarchy might have been particularly resonant for the UK as a nineteenth-century nation-state, as British enthusiasm for the Risorgimento suggests; however, attention to Barrett Browning’s transatlantic publication contexts and political-historical content , as the American Civil War began to unfold, reminds readers that civil strife and territorial dissolution remain ever-present undercurrents to nation-state creation.

Elaine Feinstein provides an expert and first-hand account of Plath’s last months in London, which spans her search for a flat in November of 1962 and her final move to the city in December of that year. This is the period during which Plath wrote her final poems, and Feinstein’s biography of Plath’s time in London help us to understand better the context out of which these poems emerged.