This paper concerns the architecture of formal burials from the La Tène period in north-western Gaul and southern Britain. The research focuses on the shape and dimensions of sepulchral pits containing inhumed or burnt human remains, on the different materials used for the internal elements, and the external constructions and structures covering, framing, or marking the burials. The study of these data exposes the preferred choices in the funerary architecture of Gallic and British communities during the last five centuries bc. The results reveal different regional funerary groups within three main cross-Channel zones according to the architectural elements of the graves and the main treatments of the body. The distinct characteristics of these groups highlight their common features and relationships with neighbouring areas of the Continental and Atlantic zones.

The Source of the Douix in Châtillon-sur-Seine, France, has been visited by local inhabitants for over 2000 years and served as a watery focal point for the ritual deposition of various types of offerings. While water deposits are by no means uncommon across Europe, the continued use of a single space over multiple millennia is. An examination of the preserved offerings at the Douix indicate there are three phases of depositional activity: late Hallstatt to early La Tène periods, late La Tène to Gallo-Roman periods, and the early modern period. Despite being separated by hundreds of years there are similarities across depositional phases including the importance of modified metallic objects, personal ornamentation, and possible connections to women. Could the persistence of these ritual practices be the result of behavioural and ideological continuities? If not, how can we interpret this complex record of intermittent deposition? We examine the deposits from each phase in their wider social and ritual contexts, including the Douix’s connection to the Hallstatt princely centre of Mont Lassois, Gallo-Roman ritual traditions, and the historic folklore surrounding springs. We then explore the inter-depositional phases and discuss the conditions that could lead to the persistence of ideas despite the dearth of material evidence and summarise what these patterns mean for the history of ritual activity at the Source of the Douix.

Iron Age tankards are stave-built wooden vessels completely covered or bound in copper-alloy sheet. The distinctive copper-alloy handles of these vessels frequently display intricate ‘Celtic’ or La Tène art styles. They are characterised by their often highly original designs, complex manufacturing processes, and variety of find contexts. No systematic analysis of this artefact class has been undertaken since Corcoran’s (1952a) original study was published in Volume 18 of these Proceedings. New evidence from the Portable Antiquities Scheme for England and Wales and recent excavations have more than quadrupled the number of known examples (139 currently). It is therefore necessary and timely to re-examine tankards, and to reintegrate them into current debates surrounding material culture in later prehistory. Tankards originate in the later Iron Age and their use continued throughout much of the Roman period. As such, their design was subject to varying influences over time, both social and aesthetic. Their often highly individual form and decoration is testament to this fact and has created challenges in developing a workable typology (Corcoran 1952a; 1952b; 1957; Spratling 1972; Jackson 1990). A full examination of the decoration, construction, wear and repair, dating, and deposition contexts will allow for a reassessment of the role of tankards within the social and cultural milieu of later prehistoric and early Roman Britain.

The discovery of an iron pin in place of an upper incisor tooth from a La Tène burial at Le Chêne in northern France may represent one of the earliest examples of a dental implant in Western Europe. The body was that of a young woman who had been buried in a richly furnished timber chamber. The iron pin may have been inserted during life to replace a lost tooth, or before burial to restore the visual integrity of the corpse. The concept of the dental prosthesis may have been taken from the Etruscans by returning Celtic mercenaries, although dental implants of this specific kind have not been found in Etruscan contexts.

This paper explores the nature and chronology of La Tène and early Roman unenclosed agglomerations in central-eastern France. It has been prompted by the discovery of a c. 115 ha La Tène D2b/Augustan (c. 50 BC to AD 15) site close to Bibracte in the Morvan, located around the source of the River Yonne. This complex provides a new perspective on the chronology and role of Late La Tène and early Roman unenclosed settlements, adding further complexity to the story of the development of Late La Tène oppida. It indicates that these ‘agglomerations’ followed remarkably varied chronological trajectories, raising important issues concerning the nature of landscape and social change at the end of the Iron Age.

An ingenious derivation for the La Tène dagger with anthropoid hilt shows how craftsmen gave an agreeable character to a working weapon. The dagger remained every bit as effective, but the splayed person on the hilt added a touch of playful luxury to the serious business of stabbing. By way of a modern anthropoid corkscrew, the author lures us away from an obsession with symbolism and encourages us to look for a more down-to-earth ‘psychological functionality’ in decorated objects.

An examination of the skeletons from the well-known La Tène cemetery of Münsingen-Rain shows that they represent members of a high ranking group, and that they were closely related. These new findings prompt the authors to examine the written documents that refer to nobility in the Roman and Celtic world.