This article presents the results of AMS radiocarbon dating, stable isotope analysis, and FRUITS dietary modelling to investigate dietary variability among sixty individuals buried at Varna in the mid-fifth millennium bc. The principal pattern was the isotopic clustering of some forty-three per cent of the population, which suggests a ‘Varna core diet’, with the remainder showing a wider variety of isotopic profiles. While there is a slight trend for heightened meat and fish consumption among male individuals compared to female and undetermined individuals, the authors found no clear correlation between dietary variation and the well-attested differentiation in material culture in the graves. Three children had isotopic profile and estimated diets unmatched by any of the adults in the sample. Two scenarios, dubbed ‘regional’ and ‘local’, are presented to explain such dietary variability at Varna.

The Tyrolean ice mummy known as Ötzi presents some of the earliest direct evidence of tattooing in the human past. Despite decades of study, it remains unclear how the Iceman's tattoos were created and what tools and methods were used. Popular discussions of the Iceman describe his tattoos as having been made by incision, first cutting the skin and then rubbing in pigment from the surface. The authors review the scholarly literature on the Iceman's tattoos and summarize ethnographic, historic, and anthropological research on global patterns of tattooing to contextualize the Iceman's marks within pre-electric tattooing traditions. The results of recent experimental tattooing studies are then compared to the physical signature of the Iceman's marks to evaluate existing claims and provide informed hypotheses as to how those tattoos were created.

Connections between northern Iberia and western France around the Bay of Biscay during the Chalcolithic, Early Bronze Age, and Middle Bronze Age are addressed in this article through a multivariate cluster analysis of a dataset of 1273 metal finds, comprising 4554 metal artefacts grouped into five multiregional clusters with distinctive distributions, chronologies, content, and contexts. Changes in distribution and chronology show that metalwork from faraway regions was deposited in similar ways, reflecting changing patterns of interregional connectivity. Changes in context and content suggest social transformations. The clustering method known as Latent Class Analysis is presented here in the hope that it will be applicable to other datasets elsewhere in the world.

In the last few decades, the discovery of large ditched enclosures in Iberia has revealed the diversity and complexity of deposition and manipulation of human bone remains. Alongside traditional ritual burials (mainly megalithic tombs and hypogea), fragmented and scattered human bones mixed with other kinds of material culture began to appear in many features. This is the case for Ditch 5 at Marroquíes, which offers an excellent opportunity to explore this ritual behaviour. Based on a multi-proxy approach, three main conclusions can be drawn: 1) the skeletal elements present show deliberate selection of particular categories of bones; 2) depositional episodes included the remains of people who died at different points in time and were subject to different taphonomic processes, and 3) mobility patterns indicate that all individuals, with one possible exception, were local. The movement and manipulations of body parts may reflect the active role of people after death as social and symbolic elements that retain agency and capacity for action.

Inspired by the biographical approach to the study of material culture, a radiocarbon dating programme was undertaken to explore the chronology and temporality of the megalithic monuments in south-eastern Iberia. Instead of one or two dates per tomb, the normal way of approaching this complex issue, we carried out a complete radiocarbon dating series of single tombs based on human remains. We focused our attention on four tholos-type tombs in the cemetery of El Barranquete (Almería, Spain). According to the new radiocarbon series modelled in a Bayesian framework, four main conclusions can be drawn: that the cemetery shows a very long period of funerary activity, which began in the late fourth millennium and ended in the last centuries of the second millennium cal bc; that continuity of ritual practices attained an unexpected importance during the Bronze Age; that interments, which fall into cultural periods that would be unthinkable if only the typological properties of the grave goods were considered, occurred; and that each tomb had a complex and very different biography.

Innovation transfer can be described as a process of communication and integration. Its success depends on two conditions: first, the information flow itself and, second, the acceptance and implementation of this information. In this article, it is assumed that both aspects are influenced by certain factors that can stimulate or constrain the transfer of innovation. This hypothesis is tested in a case study concerning the spread of copper metallurgy in Central Europe. A contextual analysis shows that its transmission can be reconstructed as a slow integrational process. Further, the spread of copper metallurgy occurred in fits and starts, with repeated breaks that, in some cases, lasted for several hundred years. These halts are key for analysing the mechanisms of innovation transfer. In this context, the role of those variables which influenced this transfer will be analysed.

Green objects of personal adornment were quite common among Neolithic and Copper Age groups in Western Europe, and variscite was one of the minerals that was most often used for such a purpose. This article presents the results of a series of archaeological campaigns designed to study the mines of Aliste and the ornament production loci of Quiruelas de Vidriales (both in the province of Zamora, Spain). We discovered that initially, during the fourth millennium cal BC, variscite from Aliste was seldom used and the ornaments’ production was dispersed, but that there was a significant shift during the third millennium cal BC: ornament production intensified and became concentrated in the production sites of Quiruelas. We relate this transformation to the socioeconomic processes that developed in the Iberian Peninsula and the growth of supra-regional socio-technical artefact exchange networks.

This paper considers the shift from the practice of collective burials to individual (or double) burials in western Europe at the end of the Neolithic/Copper Age, around 2500–2000 BC, through the lens of a particular mortuary site—the artificial cave of Bolores (Torres Vedras, Portugal). It suggests that the practices involved in making and using collective burials played an important role in this transformation towards increasing social differentiation. It explores how a focus on materiality at different scales, both temporal and spatial, might contribute new insights into geographically widespread and relatively co-synchronous social change.

This paper considers the early copper and copper-alloy metallurgy of the entire Alpine region. It introduces a new approach to the interpretation of chemical composition data sets, which has been applied to a comprehensive regional database for the first time. The Alpine Chalcolithic and Early Bronze Age each have distinctive patterns of metal use, which can be interpreted through changes in mining, social choice, and major landscape features such as watersheds and river systems. Interestingly, the Alpine range does not act as a north-south barrier, as major differences in composition tend to appear on an east-west axis. Central among these is the prevalence of tin-bronze in the western Alps compared to the east. This ‘tin-line’ is discussed in terms of metal flow through the region and evidence for a deeply rooted geographical division that runs through much of Alpine prehistory.

Much research has been carried out on identifying gendered iconography on statue-menhirs. This paper seeks to develop this perspective by considering the broader body concepts. Body concepts are of interest to archaeologists because they are closely connected to issues of sex, gender, and age. By investigating stone sculptures, however, we are looking at an ideological view of the body that was produced by reducing the stone from its natural form into a statue-menhir. The presence of bodily features on the statue-menhirs suggests that it was important to construct a body, and that certain aspects of the body were chosen to be represented, either through the size and shape of the stone or iconography, while others were neglected. We propose this is a significant means by which stones were made into bodies and gendered beings. To investigate body concepts, we pose two questions: how was a statue-menhir body made, and how was it gendered? By following the reduction sequence of the stone as the technique of production, we investigate which bodily features were important in constructing a body and in gendering it. We do this through analysing and comparing three regional examples of anthropomorphic statue-menhirs: (1) The Lunigiana groups A and B in northwestern Tuscany and eastern-most Liguria, (2) the Atesino group in Trentino-Alto Adige, and (3) the Sion Type A in the Swiss Valais and the Aosta Style I in northern Italy. Although there is a shared statue-menhir tradition in the three regions and beyond, the observations in this paper suggest that the bodily gender categories were negotiated regionally.

This study seeks to discuss the origins and early spread of metal technology in the central Mediterranean region. Neolithic and Copper Age evidence of metal-working and metal-using is first reviewed. It is claimed in particular that copper tools were first used, and probably also made, south of the Alps in the late Neolithic, and that complex polymetallic metallurgy developed in the early Copper Age after a short-lived intensification phase in the final Neolithic. In the second section, current models explaining the emergence of metallurgy in this region are then discussed, and a new proposal is put forward. This claims that metal technology, coming from eastern Europe, was imported into the whole of the east-central alpine region in the third quarter of the fifth millennium BC. Thence, it would have swiftly spread throughout northern Italy, central Italy, and Sardinia, and would have reached Corsica, southern Italy, and Sicily somewhat later. Finally, it is argued that the Copper Age metalworking communities dwelling in the western part of the central Mediterranean, and especially those located in west-central Italy, would have played a key role in transmitting knowledge of extractive metallurgy further west in the late fourth millennium BC.

Because of its great potential to provide data on contacts and overseas trade, ivory has aroused a great deal of interest since the very start of research into Iberian late prehistory. Research recently undertaken by the German Archaeological Institute in Madrid in collaboration with a number of other institutions has provided valuable contributions to the study of ivory in the Iberian Copper Age and Early Bronze Age. One of the archaeological sites that is contributing the most data for analysing ivory from the Copper Age in southern Iberia is Valencina de la Concepción (Seville), which is currently the focus of several debates on the development of social complexity. This article contributes to this line of research by providing new, unpublished evidence and by examining the significance of ivory craftsmanship in commercial, social, and ideological terms. It also assesses in greater detail the prominent part played by luxury ivory items as an expression of social status and power.

For over a century prehistorians have approached the engraved stone plaques of the Iberian late Neolithic and Copper Age (3000–2500 BC) from a monolithic and idealist perspective, viewing the plaques as representations of the Mother Goddess. Most have not addressed the plaques' variability, their method of manufacture, the organization of their production, or their biographies. This article presents new interpretations of the Iberian plaques based on the first comprehensive on-line catalogue of the plaques – the Engraved Stone Plaque Registry and Inquiry Tool (ESPRIT) (Lillios 2004) – which holds records for over 1100 plaques, each unique, from over 200 sites in Portugal and Spain. Analyses of the plaques' raw material, style, chaîne opératoire, and distribution over space suggest that different plaque types had different functions and meanings, which shifted over time. Two plaque types: the Classic plaques and the Biomorphic Simple plaques are considered in this article. In their diverse forms, the Iberian plaques appear to have been durable records of regional and local group identities and could have contributed toward legitimating and perpetuating an ideology of inherited social difference in the Iberian late Neolithic and Copper Age.

Ceramics were subjected to organic residue analysis from two collections: a series of middle Copper Age (Bodrogkeresztúr) vessels hitherto known as ‘milk jugs’, curated in the Magyar Nemzeti Múzeum, Budapest, and a collection of early Baden (Boleráz) vessels from the recently discovered settlement of Gyo”r-Szabadrét-domb, in western Hungary. The aim of the analyses was to establish whether or not these vessels, often associated with milk based on typological criteria, were actually used to process, store or serve dairy products. The results of the analyses revealed that no dairy products could be securely identified in the so-called ‘milk jugs’. Nevertheless dairy products were identified in other vessel types.