Nature writing has been parodied for what Richard Kerridge identifies as ‘purple prose’. Given the remarkable resurgence of the popularity of nature writing in the first decades of this century, this chapter considers how nature writers now can develop a prose style that avoids the excesses traditionally associated with the genre and that will face up to and not shrink from the threats to nature, including ‘global warming and the huge loss of wildlife populations’, that demand perspectival shifts between the local and the global, the personal and the planetary.

Conclusion: Awareness of the romance of everyday life did not disappear from Scottish women’s writing with the advent of the First World War. A concern with magnificence of the mundane continues to illuminate a range of mid-century fiction, from D. E. Stevenson’s popular romances to Muriel Spark’s postmodern novels. The persistence of Scottish women writers’ interest in the romance of everyday life has been met with a similarly persistent devaluation of their work on the grounds of its supposed triviality. In the place of depth, originality, and complexity, Scottish women writers offer comfort, fortification, and pleasure – affective qualities that scholars and critics have largely forgotten about. They suggest that awareness of the beauty and wonder of everyday life is an important skill to cultivate because it is not an instrumental or goal-oriented practice: the experience is its own end.