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Chapter 7, ‘Most of My Sheroes Don’t Appear on a Stamp: Contextualising the Contributions of Women Musicians to the Progression of Jazz’, considers the vital part that women – both vocalists and instrumentalists – made to the development of jazz, although they have tended to be excluded from standard historiographical narratives of the genre. With a focus on the development of jazz in the United States, Tammy L. Kernodle considers women jazz musicians’ work from the early days of New Orleans jazz, through jazz in Chicago, New York, Kansas City, and Europe, to the emergence of women jazz singers, including Billie Holiday and Ella Fitzgerald, and to the all-girl swing bands of the 1940s.

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7 - Most of My Sheroes Don’t Appear on a Stamp: Contextualising the Contributions of Women Musicians to the Progression of Jazz

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7 - Most of My Sheroes Don’t Appear on a Stamp: Contextualising the Contributions of Women Musicians to the Progression of Jazz

Summary