This article contributes to an understanding of how real estate financialisation unfolds within a city in the global South, Johannesburg. It firstly shows that compared to what has been witnessed in the global North, real estate financialisation in South Africa is characteristically conservative: market actors do not engage in high-risk, low-income neighbourhoods. Indeed, in Johannesburg, financialisation has displayed minimal interest in residential markets. Instead, financialisation in the city has been driven by commercial property investments, typically in the form of urban enclaves such as securitised office parks, malls, mixed-use developments, and increasingly ‘satellite cities’ built from scratch. This article considers how the selective character of financialisation in the country is mediated by power relations in the global political economy. In particular, it highlights how South Africa’s status as an ‘emerging market’ encourages a prudent lending regime for domestic financial institutions and real estate actors.

This article focuses on some of the major scenes of the uncanny in Ivan Vladislavić’s The Exploded View. It identifies, describes, and connects the multiple registers of the uncanny operative in The Exploded View. It considers these multiple registers of the uncanny as parts of an overarching aesthetic framework discernible in the novel. This aesthetic framework, what we could call Vladislavić’s aesthetic of the uncanny, is discussed with a focus on three constituent and dynamic levels of activity: the formal level (textual repetition), the psychosocial level (“the political uncanny” and psychogeography), and the historical level. The article ultimately makes a case for using the aforementioned levels of the uncanny as productive frames for reading Vladislavić’s novel.

An ethnographic analysis of two interconnected cities for the Somali diaspora—Nairobi and Johannesburg—helps to uncover alternative narratives about the lives of Somali women and the ways they renegotiate their cultural and religious identities in diasporic contexts, moving beyond the widespread representation of Somali women in the global imagination as helpless victims. Using the domains of marriage and female circumcision, Ripero-Muñiz analyzes how these women exercise their agency while at the same time negotiating the cultural and religious practices of their community. By focusing on the ways in which Somali women re-negotiate their identities, this article helps to locate the agency of women in refugee and migrant communities in sub-Saharan Africa.