Leonard Bernstein stated in 1977, ‘The work I have been writing all my life is about … the crisis of our century, a crisis of faith’. In the decade between 1961 and 1971, he completed just three works, all choral-orchestral: ‘Kaddish’ (Symphony No. 3), Chichester Psalms, and Mass. This chapter views these works through the lens of Bernstein’s intense concern with a crisis of faith, at once societal and personal, philosophical and musical. In its reading of the scores, it seeks a deeper understanding of the music (including for practical performance), and of Bernstein’s propositions in theological as well as musical terms – concluding that his process is not merely one of presenting crises, but also one working to revise and reinvigorate larger faith and musical structures, as we see most spectacularly in Mass’s ritual of crisis and reaffirmation.

In 1960, Mailer published his famous essay on JFK, “Superman Comes to the Supermarket,” a defining and significant contribution to New Journalism. The essay frames JFK as a kind of existential hero and a beacon of hope for America’s future, and is representative of the lasting influence Kennedy had on Mailer’s political views and conceptions of America, the American Dream, and American masculinity. Much of The Presidential Papers, a miscellany of writings published in 1964, is also devoted to the Kennedys, and the figure of JFK haunts more than one of Mailer’s later works as well.

Mailer assumed the role of a sharp literary critic throughout his career. His criticisms ranged from such pieces as 1959’s “Quick Evaluations of the Talent in the Room,” in which he offered brief appraisals of a number of his contemporaries, to his infamous review of Waiting for Godot (which he published without having seen the play), to more extended and thoughtful reviews of works by Bret Easton Ellis, Jonathan Franzen, and others.