Chapter Three compares the representation of vulnerable transient youth in the work of Leon Ray Livingston, whose road name was ‘A-No.1’, and the author Jack London. The chapter argues that both writers engage with the frequent abuse and exploitation of young boys, known as ‘punks’ or ‘gay-cats’, on the road. A-No.1’s semi-autobiographical writings are more explicit, obsessively reproducing the same narrative in which the author (or his fictional stand-in) saves a punk from the clutches of an older hobo, or ‘jocker’. For London, who was at the very least what today would be called bi-curious, the questions of transient sexuality and abuse were more fraught. He acknowledges the existence of sexually-vulnerable youths in early stories, written before he became a successful author. However, in his well-known work The Road (1907) he goes to great lengths to persuade his audience that he was never a gay-cat. The text positions London as a young man well ahead of his time, a claim that many critics have taken at face value. Yet paradoxically the text’s narrator seeks out the approval and protection of older men, including one who seems to expect sexual favours in return.