Moving from the Camp Grant massacre, this chapter addresses the question of narratives on violent events such as wars, more specifically the Trojan War in the Homeric epic. Human and Divine names are part of a complex system of signs which guide the audience. The case study of Euryopa Zeus – that is, a god who has a ‘Vast Voice’ and an ‘Ample Sight’ – provide a divine portrait of the overarching authority in matters of war and destiny. The chapter also suggests a network of divine powers who share specific aptitudes, such as Athena, Hera and Hermes, between distance and proximity, control and empathy.

In the past, architectural change in Archaic Greece was often explained as a somehow natural, coherent evolution from “primitive” wooden structures to sophisticated stone temples. Following the ancient writer Vitruvius, modern authors have attempted to demonstrate that the architectural orders, in particular the Doric, can be traced back to functional necessities typical of wooden buildings. While this explanation of the Doric order has long been questioned, few attempts have been made to explore alternative explanations. The chapter lays out a methodology to analyze architectural change by asking how the experience of sacred spaces and landscapes changed and who were the social groups interested in promoting such change. The chapter highlights the kinetic and multisensorial dimension of the experience of space and architecture, as stressed also by authors from other fields. Further, a survey of recent contributions to the study of the Doric and Ionic orders suggests that they emerged suddenly in the early sixth century BC, rather than evolving slowly over centuries. The emergence of the Doric order went hand in hand with the emergence of architectural sculpture on pediments and friezes. By looking at a series of case studies the book aims to shed light on the relation between the various transformation processes.

Jan Bremmer’s contribution returns to the thorny issue of divine identities. Bremmer offers a case-study that shows the interplay between local and universal forces that characterises most recent works on localism, religious and otherwise. His study of the presence of the goddess Hera on the Greek island of Samos during the Archaic and Classical periods integrates myth, ritual, and cult, and brings them together in a comprehensive account of the same divine persona. The chapter confirms that one and the same divine presence might combine both local and universal elements. Visible throughout is a distinct tendency to localise elements of the divine persona by attributing Hera with particular local connections. Through an erudite study of the larger contexts in which the worship of Hera took place on Samos, Bremmer teases out some of the forces at work in this localising process: among them are the move to integrate aspects of the local landscape or environment into the cultic practice.

Jan Bremmer’s contribution returns to the thorny issue of divine identities. Bremmer offers a case-study that shows the interplay between local and universal forces that characterises most recent works on localism, religious and otherwise. His study of the presence of the goddess Hera on the Greek island of Samos during the Archaic and Classical periods integrates myth, ritual, and cult, and brings them together in a comprehensive account of the same divine persona. The chapter confirms that one and the same divine presence might combine both local and universal elements. Visible throughout is a distinct tendency to localise elements of the divine persona by attributing Hera with particular local connections. Through an erudite study of the larger contexts in which the worship of Hera took place on Samos, Bremmer teases out some of the forces at work in this localising process: among them are the move to integrate aspects of the local landscape or environment into the cultic practice.

The cholos which is one of the constitutive features of Hera is at the heart of this chapter, which treats the narratives and traditions which recount conflicts involving the Hera of Zeus and certain of Zeus’s sons (e.g. Herakles, Dionysos, Hephaistos), and where her wrath is decisive for the definition of their divine prerogatives and their full integration into the Olympian order. By challenging some of Zeus’s illegitimate children, Hera works as a power of legitimation, redefining the divine family. In the world of heroes, the angry Hera is an agent of legitimation as well, but also of delegitimation, especially in cases of human sovereignty: her intervention contributes to identifying rulers whose sovereignty is rotten, as is the case with the royal family of Thebes under Oedipus, and that of Iolkos, in the epic of the Argonauts. Her interventions are nothing but actions that take charge of and realise the boulai of all the gods collectively and of her husband in particular. She does this, to be sure, in her own way, as a goddess whose characteristic is constructive opposition, but her anger remains, in the final analysis, at the service of an order guaranteed by Zeus.

This chapter analyses the narrative traditions of the archaic period and assesses some of the later echoes and survivals of these traditions. In this material Hera appears in her complex role as wife, queen, and angry goddess against the backdrop of her constitutive relation to Zeus, the divine sovereign. By analysing the connections between these three elements, it attempts to gain an inside understanding of the goddess’s wrath and its implications. Questions of rank and legitimacy, the theme of childbirth, and that of filiation are also an integral part of her prerogatives as Olympian queen. Hera is the ultimate spouse but also the intimate enemy of the king of the gods. These aspects are indissociable, and it is significant that the Greeks chose for Zeus not a submissive spouse but a genuine partner endowed with a strong sense of competitiveness and a rank comparable to his. Their preferred image is of a sovereign couple bound together in a dynamic of conflict in which disagreements and reconciliations, separations and reunions alternate. That Hera defies Zeus and sets traps for him shows how close she is to her royal husband and that she knows him better than anyone else.

This chapter deals with local narrative traditions and the ritual acts associated with local sanctuaries (to the extent to which these can be fruitfully investigated) of Hera, whose cult titles Teleia and Basileia echo how she is portrayed in the archaic epic poetry. This is notably the case at Argos, Samos, and Perachora, where important sanctuaries of the goddess are located outside the city centre, but also in Olympia, ‘the Olympus on earth’, where the first monumental temple of the Panhellenic sanctuary of Zeus is associated with her. Her cults in Plataia, Delos, Lesbos, Corinth, Athens, and western Greece shows how her roles of spouse and sovereign overlap and to some extent come to be confused because of her complex relation to Zeus. This relation is crucial to understanding the expectations of Hera’s worshippers, although in a certain number of places the connection with Zeus is not made fully explicit.