Chapter 4 focuses on an era where numerous African Americans visited Britain and exploited the rise of popular abolition after the publication of Harriet Beecher Stowe’s Uncle Tom’s Cabin in 1852. I argue that while activists such as William Wells Brown and the Reverend Samuel Ward manipulated the interest surrounding the novel to maintain antislavery sentiment, they used the opportunity to chastise and even harshly criticize Britain for its role in the slave trade. The chapter also focuses on two other famous figures in the 1850s, Henry ‘Box’ Brown and Frederick Douglass. ‘Box’ Brown refused to bend to any rule in transatlantic activist history, and while he initially incorporated Stowe’s novel into his visual panorama, he used his savvy business flair and did not solely rely on the text. He constantly reinvented himself and his repertoire to court his celebrity, and even starred in a play based on his own life. Lastly, I explore the reasons why Douglass’ exploitation of adaptive resistance in 1859 was comparatively less successful than his first visit in 1845, in part, he believed, because of the growing racism in British society that would become further entrenched during the Civil War.