This chapter analyzes the rich essayistic activity of the Harlem Renaissance (1919–1940). Through the visual arts, music, and literature, many African Americans responded to the changing national and international dynamics of the 1920s as an opportunity to leverage their creative arts and redefine their place within the nation. Poetry and fiction were the literary genres African Americans increasingly employed for these efforts. More ubiquitous was their frequent complement: the essay. Writers like Gwendolyn Bennett, Benjamin Brawley, W. E. B. Du Bois, Jessie Fauset, Zora Neale Hurston, James Weldon Johnson, Alain Locke, and Eulalie Spence infused the essay with this ethos and positioned it as an equally important genre for chronicling the period. Indeed, it was through the essay that readers in the United States and in other parts of the world encountered rhetorical styles reflecting the racial pride and determination of the “New Negro.” Essays from the period detailing the array of forces and ideas shaping African American life – including migration, racial violence, civil rights, and Pan-Africanism – constitute dynamic narratives combining history, opinion, and critical redress.