This article analyses Anth. Pal. 8 as a Hellenistic book of poems, i.e. as a collection artfully arranged by an author-editor and not as a mere gathering of sepulchral epigrams devoid of any reflection or literary aspiration. In common with modern poetry books, Anth. Pal. 8 was conceived for linear sequential reading. A close study of its tripartite structure, of the thoughtful collocation of each piece and of their organizing principles in well-thought-out sequences reveals the ultimate eschatological meaning of the book. Finally, a comparative contextualization with other late antique poets indicates a late antique dating for the elaboration of this collection as such, whereas the strong numerological element and the religious transcendence sought by the distribution of the poems point to Gregory of Nazianzus himself as the author-editor of Anth. Pal. 8.

This article begins with a review of the traditional dates for Palladas (c. A.D. 360–450) and the current consensus of most scholars (c. A.D. 319–400). The first of these relies almost exclusively on the dubious manuscript lemmata and the second on an interpretation of Palladas' epigrams pertaining to the rise of Christianity and the weakening of the pagan cults, which are supposed to be Theodosian in date. Both timelines are difficult to reconcile with two external clues, which together suggest that his floruit must have been earlier than the second half of the fourth century. Further analysis reveals that the important pagan-Christian epigrams are full of Constantine's political and religious propaganda post-324. Another line of inquiry establishes a new set of dates: c. A.D. 259–340.