This paper offers a reassessment of the representation of Pittakos, tyrant of Lesbos, in Alcaeus’ verse. I begin by examining the textual evidence for Pittakos’ father, Hyrras, before progressing to re-evaluate the evidence for the aristocratic clans of Lesbos as attested in the Lesbian poets. Building on this, and with reference to the patronymic/gentilic Arkheanaktidās seemingly used of Pittakos in Alcaeus, I relate the preponderance of patronymic forms found in Alcaeus’ verse to the iambic and comedic use of ‘characterizing’ patronymics in -(ι)δᾱς. I then argue that both ῎Υρρας and Ἀρχϵανακτίδας are to be interpreted via a cross-cultural and bilingual rhetoric of kingship, with the latter being in essence a calque of a Lydian intermediary of the Luwian designation ura- handawati-, ‘great king’, with ὔρρας and its derivatives in Alcaeus a nominalization of the Luwian adjectival stem ura-, ‘great’. This argument is then related to the increasing evidence for Lesbos as a central locus for Graeco-Anatolian cultural exchange. The end result is a comprehensive reassessment of historical reconstructions emanating from the texts of Sappho and Alcaeus, as well as a reassessment of Alcaeus’ poetic objectives in his attacks on Pittakos, ‘son of Hyrras’.