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One of the great Reformation debates during Shakespeare’s lifetime focused on the nature of “repentance” as represented in the Bible. The Biblical concept embraced the idea of a turn away from error and a return to righteousness (mostly as interpreted in later translations of the Hebrew Testament) and the idea of an interior change of mind or revision of one’s attitude toward patterns of behavior (mostly in the Christian Testament likewise as interpreted in later translations). Shakespeare dramatized these ideas in histories, comedies, tragedies, and romances throughout his career. This essay focuses on the dynamics of repentance in King Lear, where turning away and changes of mind engage with competing – but also sometimes complementing and mutually reinforcing – claims of ancient pagan Stoicism and Epicureanism in regard to fate, destiny, free will, and random change.
A history of critical editions of the Greek New Testament and the methods developed to create them coincide with virtually the entire history of New Testament textual criticism. Thereby, Karl Konrad Friedrich Wilhelm Lachmann's Greek text became the first to be recognised as a decisive break from the textus receptus, which in some form stood at the head of the pages in virtually all preceding editions. This chapter explores Lachmann's text-critical criteria in systematic fashion. A new tool, the Coherence-Based Genealogical Method, developed by Gerd Mink in Münster, is currently being refined for assessing relationships among the texts in all of extant New Testament manuscripts by a highly sophisticated computer program that, by employing the present array of external and internal criteria, constructs a local stemma for each place of variation. Reasoned Eclecticism has a history that began with the first discussions of canons of criticism, accompanied by refinements along the way.
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