Monica White Ndounou focuses on Bert Williams, George Walker, and Langston Hughes. Through a close reading of their seminal productions, she reveals how the artists attempted to challenge existing theatrical stereotypes and caricatures of Blackness. Ndounou reads these figures as trailblazers, paving the path for future artists who were able to present more accurate depictions of African American life on the Broadway stage. The author covers more than fifty years of theatre history, from the emergence of Williams and Walker in the late nineteenth century to the premiere of Hughes’s The Barrier on the Great White Way in 1950.

Chapter 2 considers the archipelagic impact of the 1688 Revolution by examining the the War of the Two Kings in Ireland (1688–91). It analyzes how Irish events were mediated in newspapers such as the Orange Gazette and the London Gazette, both in the news stories and in advertisements for printed works such as maps, Richard Cox’s Hibernia Anglicana (1689) and James Farewell’s The Irish Hudibras (1689). It focuses on how the media event surrounding the relief of the siege of Derry shaped English perceptions of the rest of the conflict in Ireland. The importance of Derry was amplified by the visit of George Walker to London and by thanksgiving services held in churches in London. By examining the representation of the siege in John Mitchelburne’s Ireland Preserv’d (1705), this chapter also assesses how Ireland was subsequently erased from the memory of the so-called “Glorious Revolution” in Britain.