Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • Chapter 9 - Fourth Style Skenographia

  • Richard C. Beacham, King's College London, Hugh Denard, King's College London
  • Book:
    Living Theatre in the Ancient Roman House
    Published online:
    22 December 2022
    Print publication:
    12 January 2023, pp 365-425

  • Summary

    This chapter focuses upon Fourth Style perspective painting. We outline the very extensive historic scholarly debate about the possible depiction in such paintings of Roman stages, while developing our own, more nuanced, assessment. We discuss the different types of theatrical influence we believe are evident in many of these works, including examples the composition of which we suggest were influenced by theatre architecture and scenery. Fourth Style walls often displayed ornamental architectonic structures strongly evocative of the theatrical scaenarum frontes (stage façades) that featured both as elements of actual Roman theatre architecture as well as appearing in cognate edifices such as nymphaea. The Fourth Style frescoes prominently featured the painted depiction of curtains, drapes and, ubiquitously, theatrical masks.