Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

5 results

  • Chapter 2 - Lear’s Fool on Film: Peter Brook, Grigori Kozintsev, Akira Kurosawa

  • from Part I - Surviving Lear: Revisiting the Canon
  • Edited by Victoria Bladen, University of Queensland, Sarah Hatchuel, Université Paul Valéry, Montpellier, Nathalie Vienne-Guerrin, Université Paul Valéry, Montpellier
  • Book:
    Shakespeare on Screen: King Lear
    Published online:
    10 September 2019
    Print publication:
    26 September 2019, pp 33-46

  • Summary

    The chapter studies three remarkable films of King Lear created in England, Russia and Japan by three directors of international stature: Peter Brook, Grigori Kozintsev and Akira Kurosawa. The films are all set in the past and all are culturally specific. Because the Fool’s role is so central to the substance and structure of Shakespeare’s play, investigating – using a mixture of thick description, cultural appropriation and cinematic formalism – how these three directors reimaged the Fool to speak out from their particular cultures to a global audience provides insight into the ways each reinvents Shakespeare’s bleakest tragedy for the screen.