The Epilogue offers some concluding remarks while explaining why later Jacobean and Caroline plays are excluded from this study. In the process, it offers a brief consideration of Beaumont and Fletcher’s Cupid’s Revenge.

Chapter 6 considers the depiction of hunger, appetite and imperialism. Food comprised an integral component of colonial discourse in the period, and the representation of hunger and appetite therefore provided a significant means by which the theatres could legitimise or critique England’s overseas expansion. The chapter focuses on the use of hunger and appetite as a means to critique or endorse emergent bourgeois ideologies of imperialist expansion, with an emphasis on how colonial adventures are constructed as both a solution to the problem of hunger and the object of new and occasionally unnatural appetites. It considers the cultural significance of cannibalism as an act which at this time was associated not only with subaltern native populations, but also with the expansive appetites of European colonisers, in a manner which could be deployed to express anxiety at the potential consequences of imperial expansion.