In the Planetarium of the city of Rosario the deaf and the hearing-impaired people could only perceive the visual elements of the show, such as the starry sky and the video images, which are meaningless without the narration. The technical team detected the problem and implemented a solution, adapting a particular show with a team of interpreters and a deaf person, with a low cost of development and arriving to great results.

This paper argues that Honneth's theory of recognition opens promising venues for exploring the role of emotion in politics, particularly when issues of injustice are at stake. While endorsing Honneth's view that ‘feelings of injustice’ are an important source for intelligibility of injustice, and that disadvantaged individuals need to build a ‘shared interpretative framework’ in struggles for recognition, this article contends that a more nuanced account of discursive justification is required to deal with dissent and moral disagreement. As a response to this problem, we suggest that Honneth's approach of subjective reaction to injury as violation of conditions to practical identity can be brought together with notions of discursive justification in the Habermasian fashion. Through an empirically based analysis – using storytelling of deaf people gathered in two virtual environments: (a) the website of the main Brazilian organization for deaf persons (FENEIS), and (b) Orkut, an online social network – this paper evinces that subjects not only articulate feelings of injustice or claims for recognition in everyday experience, but also usually engage in interpretation, judgment and justification of such claims. Results show that Honneth's theory of recognition, when articulated with a notion of discursive justification, can better equip scholars concerned with practices that aim to overcome injustice.