Ireland has a long history of expatriate writers yet the subject has attracted little critical attention. Forms and meanings of expatriation have changed over time but the fact of expatriation has remained consistent. Daniel Corkery, a leading early twentieth-century critic, deemed expatriation an obstacle to the development of a robust domestic national literature; today, it is more likely to be positively valued as a sign of outward-looking worldliness. The introduction examines changing conceptions and contours of Irish literary expatriation and situates the Irish experience between metropolitan Anglo-American and Anglophone postcolonial instances. Exploring how the Irish novel engages with realigning economic and literary world systems, the study examines Irish narrative constructions of the United States, Asia, the Global South and Europe.

This chapter considers the evolution from the 1940s to 1980 of what was initially constructed by Daniel Corkery and others as ‘Anglo-Irish literature’, and its serial problems of inclusion and definition. In particular, it examines the shifting approaches to literary criticism from Seán O’Faoláin’s articles in The Bell to the Crane Bag and Field Day pieces by Seamus Deane in the 1970s and early 1980s. It opens with a discussion of the criticism which emerged in the 1940s and 1950s from Richard Ellmann and W. Y. Tindall, before discussing contributions made to the magazine Studies by Denis Donoghue, Vivian Mercier and Donald Davie, with varying degrees of attachments to New Criticism. This develops into an analysis of the polemical criticism of the 1960s by those such as Conor Cruise O’Brien, before discussing the foundation of the International Association for the Study of Anglo-Irish Literature in 1970, which became a platform for women academics but did not deviate from a general focus on canonical male authors. It concludes by discussing the Troubles-shadowed 1970s criticism of later Field Day critics like Deane and Terence Brown, with the former in particular interrogating literature to reveal its imbrication in what he insisted was a colonial condition.