In Il serpente, Luigi Malerba's first novel, the writer moves from the objectifying perspective, working-class protagonists, and themes of neorealism to a subjective realism that sets aside the direct dialogue of his first book (La scoperta dell'alfabeto, a collection of brief narratives) in favor of the exterior monologue. The narrating voice of Il serpente feels compelled to relive the guilt, shame, and humiliation of his youth. He prevaricates habitually because he is anxious as to how he appears, primarily to himself: he is caught between the need to express himself and the fear of being punished for having done so. The changes in narrative strategy, along with the psychological plausibility of the narrative and Malerba's analysis of Italy's ‘grey zone’, populated by those who did not actively participate in the civil war following the fall of Fascism, make Il serpente worthy of our close attention.
